Hand-written musical notation by J. S. Bach (1685–1750). This is the beginning of the Prelude from the Suite for Lute in G minor, BWV 995 (transcription of Cello Suite No. 5, BWV 1011).

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Larghissimo – very, very slow (24 bpm and under)
Adagissimo – very slow (24-40 bpm)
Grave – very slow (25–45 bpm)
Largo – slow and broad (40–60 bpm)
Lento – slow (45–60 bpm)
Larghetto – rather slow and broad (60–66 bpm)
Adagio – slow with great expression^[10] (66–76 bpm)
Adagietto – slower than andante (72–76 bpm) or slightly faster than adagio (70–80 bpm)
Andante – at a walking pace (76–108 bpm)
Andantino – slightly faster than andante (although, in some cases, it can be taken to mean slightly slower than andante) (80–108 bpm)
Marcia moderato – moderately, in the manner of a march^[11]^[12] (83–85 bpm)
Moderato – at a moderate speed (108–120 bpm)
Andante moderato – between andante and moderato (thus the name) (92–112 bpm)
Allegretto – by the mid-19th century, moderately fast (112–120 bpm); see paragraph above for earlier usage
Allegro moderato – close to, but not quite allegro (116–120 bpm)
Allegro – fast, quick, and bright (120–156 bpm) (molto allegro is slightly faster than allegro, but always in its range; 124-156 bpm)
Vivace – lively and fast (156–176 bpm)
Vivacissimo – very fast and lively (172–176 bpm)
Allegrissimo or Allegro vivace – very fast (172–176 bpm)
Presto – very, very fast (168–200 bpm)
Prestissimo – even faster than presto (200 bpm and over)